recently, now + soon

black silhouettes of antique objects float on a pale green ground, swirls of pink, gold, and darker green surround them, white text superimposed reads "objects not only taken out of place, but out of the historical records, removed so comprehensively that only the silhouettes remain - we chase ghosts and whispers, inferring presence from absence"
Removed (Red List), multimedia print, 46 x 60 cm, 2026

EXHIBITIONS

*A new series of four prints is included in What Empire Took, What Empire Left: Museums, Borders, and the Politics of Return in South Asia, curated by Arshiya Lokhandwala, opening August 23rd at Taragaon Next in Kathmandu, Nepal.

*Index of the Disappeared has an archive installation and prints in the exhibition they never asked, curated by Elizabeth Hoy, at Wheaton College’s Beard and Weil Galleries from September 10th through November 14th.

SCREENINGS & TALKS

*I’ll be back in St. Louis on October 16th for the WashU symposium Unstable Evidence: Art, Data, and the Culture of Health, which will culminate in a screening of my 2024 film Dis-Ease. 

FILMS IN DISTRIBUTION

*My feature film Dis-Ease is now in international educational/non-theatrical distribution with Good Docs and streaming as part of the Good Docs collection on Docuseek. Contact outreach@gooddocs.net to book a screening, stream for a class, or license for your library.

*My feature film What We Left Unfinished was re-released in 2025 as a limited edition Blu-Ray by Dekanalog and Vinegar Syndrome. It’s streaming on Ovid for subscribers and on Docuseek for educational institutions. It’s also available on all major TVOD platforms. Contact Dekanalog for licensing or theatrical; Good Docs to book an educational or museum screening in the US/UK/AUS/NZ, and Arsenal to book screenings elsewhere.

*The Fire This Time is now streaming on Field of Vision.

PUBLIC PROJECTS

*The Worlds We Speak – a ceramic mosaic based on a data visualization of linguistic diversity in the NYC metro area – can be found in baggage claim in Terminal C of LaGuardia Airport as of June 2022. (There’s also an interview about the process behind the project at the link and an interactive version of the project accessible if you visit that link on a mobile device.)

ONLINE

*A recording of my talk at Burlington City Arts in November 2025.

*My keynote on the limits of solidarity and the collective of grief for the Aesthetics of Solidarity conference in April 2025.

*The gorgeous catalogue for Musical Thinking: New Video Art and Sonic Strategies, curated by Saisha Grayson, is available as a free e-book here.

*I interviewed Rahraw Omarzad about the future of Afghan arts for Frieze (March 2022)

*An interview with Perwana Nazif about What We Left Unfinished for Artforum (September 2021)

*A conversation with Erin Ellen Kelly, Theresa Bautista, Philip Velinov, Dean Otto and Miranda Lash about When the Spirits Moved Them, They Moved, for the Speed Art Museum (October 2020)

*An interview about and glimpse into the research process for Dis-Ease, for the Wellcome Collection in September 2018

*The Garden of Forked Tongues, originally commissioned by the Queens Museum of Art in conjunction with Nonstop Metropolis: The Remix. A collaboration with the Endangered Language Alliance, Effi Ibok and Josh Begley.

*Interview for the Guggenheim MAP about A Brief History of Collapses (May 2016)

*I’m also (occasionally) on Instagram.

PRESS

*An interview for Films for the Feminist Classroom (Spring 2025)

*An interview for Curator about my January 2025 show at RYAN LEE

*Some coverage of my commission for LaGuardia Airport (June 2022)

*Press coverage of What We Left Unfinished 

*A profile in The Guardian for the UK premiere of What We Left Unfinished (June 2019)

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