recently, now + soon
EXHIBITIONS + SCREENINGS
*Index of the Disappeared’s text piece Your Silence will be on view in We Refugees, curated by Piedad Solans, at the CGAC in Santiago de Campostela, from June 28th to October 20th.
*My feature film What We Left Unfinished had its world premiere at the 69th Berlinale, February 2019, alongside screenings of three newly restored classic Afghan films, and its US premiere at SFFILM in April. The UK premiere was at Sheffield Doc/Fest on June 8th and 10th, the Italian premiere at Il Cinema Ritrovato in Bologna on June 24th, and the Indian premiere at IDSFFK on June 25th. Follow the film on Twitter or Instagram for updates on future screenings.
*Our System Failure, my public art collaboration with David Birkin, was featured along with the older billboard project You say we are but dust … in the For Freedoms Fifty State Initiative, through December (in Des Moines, Nashville, Rochester, and St. Louis).
*The new three-channel video When the Spirits Moved Them, They Moved premiered at Ryan Lee Gallery in NYC, Jan-Feb 2019, and will be on view at the Currier Museum of Art in Manchester, NH, from October 12th, 2019, through February 2020, and the Speed Museum in Louisville, KY, beginning in spring 2020.
*An interview about and glimpse into the research process for new film in progress Dis-Ease, for the Wellcome Collection in September 2018
*The Garden of Forked Tongues, originally commissioned by the Queens Museum of Art in conjunction with Nonstop Metropolis: The Remix. A collaboration with the Endangered Language Alliance, Effi Ibok and Josh Begley.
*Rhizome preserved the 2004 web project How Do You See the Disappeared? A Warm Database as part of Net Art Anthology (now a book); Chitra and I had a conversation with Michael Connor about it and I was also on a New Museum panel about net art, dispersion and disappearance after 9/11 with Eva & Franco Mattes, David Joselit, and Aria Dean in November 2017.
*A conversation about art, activism, and how to win by losing with Vince Warren, director of the Center for Constitutional Rights, moderated by curator Amara Antilla, in August 2017
*October 2016 talk with Tricia Paik and Erin Ellen Kelly at the Indianapolis Museum of Art, during the show Mariam Ghani & Erin Ellen Kelly: Water, Land, City
*February 2016 talk about What we left unfinished and artists in times of war, as part of Critical Writing Ensembles at the Dhaka Art Summit
*Words on Terror, a 2016 poetry reading for the launch of Solmaz Sharif’s Look at the Asian American Writer’s Workshop, on the AAWW podcast
*A profile in The Guardian for the UK premiere of What We Left Unfinished (June 2019)
*Dis-Ease in Contagion Live (May 2019)
*A profile in the Suddeutsche Zeitung (German, April 2019)
*Roundup of press coverage of What We Left Unfinished at SFFILM (April 2019)
*Roundup of press coverage of What We Left Unfinished at the Berlinale (February 2019)
*When the Spirits Moved Them, They Moved in The New York Times (January 2019)
*Five artists you need to know, in Elle India (June 2018)
*I responded to Frieze’s survey on the importance of art as a form of protest (March 2017)
*Interview for the Guggenheim MAP about A Brief History of Collapses (May 2016)
*Interview with Sophia Guy-White about What we left unfinished for InRussia (December 2016)
*Interview with Owen Duffy in Artspace (September 2016)
*”Shahrazade in the Archives: A Testimony from Fragments” in Critical Writing Ensembles (Mousse, 2017).
*Portfolio in Frieze, September 2016.
*”Notes from a boycott” in Manifesta Journal 18, November 2014; reprinted in Shangri-La: Imagined Cities, 2014; and expanded in collaboration with Haig Aivazian for The Gulf: High Culture, Hard Labor (OR Books, 2015) and Assuming Boycott: Resistance, Agency and Cultural Production (OR Books, 2017). Bonus video: book launch panel at the Vera List Center.
*”Field notes for ‘What we left unfinished'” in Ibraaz Platform 006, December 2013; reprinted in Dissonant Archives: Contemporary Visual Culture and Contested Narratives in the Middle East (IB Tauris, 2015).
*”The Islands of Evasion: Notes on the Politics and Poetics of International Art English.” Triple Canopy, June 2013. Reprinted in Social Medium: Artists Writing 2000-2015 (Paper Monument, 2016) and International Art English (Triple Canopy, 2018).