recently, now + soon
*Afghanistan: A Lexicon (the print portfolio) is in Converging Voices: Gender and Identity, curated by Karen Albert, at the Lowe Gallery, Hofstra University, NY, May 2nd to December 15th.
*The City & The City will be part of Lines Drawn at Diverseworks in Houston, TX, September 5th to November 30th.
*Index of the Disappeared’s Black Sites I: The Seen Unseen will be in the Asian Art Biennial in Taichung, Taiwan, opening September 30th.
*Some of my research for What we left unfinished will be part of the exhibition Field Research: Liberating Knowledge at the Garage Museum of Art, Moscow, October 23rd – December 3rd.
*The Garden of Forked Tongues, originally commissioned by the Queens Museum of Art in conjunction with Nonstop Metropolis: The Remix. A collaboration with the Endangered Language Alliance, Effi Ibok and Josh Begley.
*A conversation about art, activism, and how to win by losing with Vince Warren, director of the Center for Constitutional Rights, moderated by curator Amara Antilla, in August 2017
*A brief interview about public vs. private narratives for the Pew Center in April 2017
*October 2016 talk with Tricia Paik and Erin Ellen Kelly at the Indianapolis Museum of Art, during the show Mariam Ghani & Erin Ellen Kelly: Water, Land, City
*June 2016 talk about the contradictory movements of conflict antiquities and conflict refugees, as part of the annual Questioning Aesthetics Symposium
*February 2016 talk about What we left unfinished and artists in times of war, as part of Critical Writing Ensembles at the Dhaka Art Summit
*I responded to Frieze’s survey on the importance of art as a form of protest (March 2017)
*Interview with Sophia Guy-White about What we left unfinished for InRussia (December 2016)
*Interview with Owen Duffy in Artspace (September 2016)
*Interview for the Guggenheim MAP about A Brief History of Collapses (May 2016)
*Index interview with Beth Citron for the Safina Radio Project at Dhaka Art Summit (February 2016)
*Intervista con Piedad Solans para M – Arte y Cultura Visual (Sept 2015, en Español)
*”Shahrazade in the Archives: A Testimony from Fragments” in Critical Writing Ensembles (Mousse, 2017).
*Portfolio in Frieze, September 2016.
*”Notes from a boycott” in Manifesta Journal 18, November 2014; reprinted in Shangri-La: Imagined Cities, 2014; and expanded in collaboration with Haig Aivazian for The Gulf: High Culture, Hard Labor (OR Books, 2015) and Assuming Boycott: Resistance, Agency and Cultural Production (OR Books, available May 1st, 2017).
*”Field notes for ‘What we left unfinished'” in Ibraaz Platform 006, December 2013; reprinted in Dissonant Archives: Contemporary Visual Culture and Contested Narratives in the Middle East (IB Tauris, 2015).